01
Camera-log input
Input Colour Space for 18 cameras and spaces: ARRI LogC3 and LogC4, RED Log3G10, Sony S-Log3, Canon Log 2 and 3, Panasonic V-Log, F-Log and F-Log2, N-Log, D-Log, Apple Log, iPhone HDR, Blackmagic Film Gen 5, DaVinci Wide Gamut, ACEScct and Rec.709.
02
Output your way
Rec.709, sRGB, Rec.2020, P3-D65, DaVinci Wide Gamut, ACEScct or Same as Input — plus a Timeline (automatic) option in DaVinci Resolve.
03
My Presets
Save your own looks and load them on any clip. Three looks to start from: AVP Default, Clean Commercial and LowLight Warm.
04
Export LUT
Turn any look into a 17, 33 or 65-point .cube LUT for monitors, cameras and other apps. Full version.
05
GPU accelerated
Metal on Mac, CUDA or OpenCL on Windows. Made to keep playback smooth with other effects in the same grade.
06
Footage-safe
Built-in guards keep pushed settings clean — no speckles or broken colours in log footage, even at extreme values.